Catalyst – Research

Season of the witch: why young women are flocking to the ancient craft

https://www.theguardian.com/world/2015/feb/24/witch-symbol-feminist-power-azealia-banks

“women in the US have been harnessing its power for decades as a ‘spiritual but not religious’ way to express feminist ambitions”

“invoking the fearsome power of a “witch”.

“To reclaim the word witch is to reclaim our right, as women, to be powerful,” wrote Starhawk, in her seminal 1979 book The Spiral Dance. “To be a witch is to identify with 9 million victims of bigotry and hatred and to take responsibility for shaping a world in which prejudice claims no more victims.”

“Today, The Spiral Dance is in its third edition, and has sold over 300,000 copies. It is many people’s first introduction to Wicca, the earth-based spiritual movement that was created in the 1950s and has come to be a recognized religion around the world. It is also one of the most well known and comprehensive texts from a very particular moment in feminist history which until recently was largely unfashionable: the “women’s spirituality” movement, in which women radically rewrote existing religions, or simply made their own to be in line with the goals of women’s liberation.

“What’s more, in the moment that Starhawk and others like her were practicing witchcraft as a religion, non-religious women were also claiming the witch as a symbol of their feminist ambitions. The 1970s socialist-feminist collective Witch – the letters stood for anything the leaders felt like from moment to moment, but Women’s International Terrorist Conspiracy from Hell was a popular choice – held theatrical protests, starting by “hexing” the New York stock exchange and going on to attend a “bridal fair” where they unleashed white mice into the crowd.

Their protest chants were particularly catchy: “Double, bubble, war and rubble/ When you mess with women, you’ll be in trouble”.”

““I think that part of the power of the word is that it refers to a kind of power that is not legitimized by the authorities,” Starhawk says. “Even though not all witches are women, and a lot of men are witches, it seems to connote women’s power in particular. And that’s very scary in a patriarchal world – the kind of power that’s not just coming from the hierarchical structure, but some kind of inner power. And to use it to serve the ends that women have always stood for, like nurturing and caring for the next generation – that, I think, is a wonderfully dangerous prospect.”

“In each wave of feminism there’s this renewed respect for the women that came before us,” says Beth Maiden, Autostraddle’s tarot columnist who also runs the website littleredtarot.com. “I think we like to identify with the stories of women who were persecuted in the past – wise women, witches, women who practiced that kind of ‘kitchen table’ healing that wasn’t part of the patriarchal progression of medicine.”

This means identifying, as women of the 1960s and 1970s did, with ancient myths and iconography of goddesses, or with the mythological figure of the witch. But it may also mean a renewed respect for those women: the legacy of their spirituality movement seems to have been quietly re-incorporated back into the mainstream of feminism.”

“I think one of the biggest conspiracies of a male-dominated society is the suppression of feminine intuition, in that women have been conditioned to second-guess our own hunches, or second-guess our own abilities, all the time,” she told me. “You know when you can just tell someone is creepy, right off the bat? That’s your intuition speaking.”

Embracing the witchiness – deciding you can know something about your life by looking at tarot cards and listening to your hunches, or trying to affect a situation by focusing your will on it – might be just a process by which women can come to trust themselves.

There’s also the pull of the taboo, of being a woman who does what she’s not supposed to: “It feels incredible to use all the aspects of being a woman which the dominant culture considers to be signs of weakness, like emotional sensitivity or a menstrual cycle, as tools when you are giving a reading or doing a spell,” says Marty Windahl, proprietor of Tarotscopes. “This is really the heart of being a witch for me, turning everything on its head.”

CATALYST …um ok?

So a pattern I’ve noticed when getting new projects is that I struggle to get into it and be interested with part 1 of the brief and as soon as I get the second part I’m like OOOOOOH OKAY YES I GOT IT and finally get inspired. I’m not totally sure why..I think maybe the vagueness of part 1 always gets me down and doesn’t really motivate me but as soon as part 2 is given I’m more excited and interested in the project. Unfortunately that means that I’m always further behind in the project than I’m meant to be which can be a bit daunting but I found this great post to inspire and keep me going:
sloth
I think working at your own pace is important, you can’t force inspiration and ideas.
ANYWAY
This is the article I chose:
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Public urged to report witches’ marks on buildings

The marks on historic buildings were made during a time when witchcraft and the supernatural were popular.

The public is being asked to report strange carvings known as “witches’ marks” to create an England-wide record.

The marks – also called apotropaic marks, from the Greek word for avoiding evil – are ritual protection symbols from a time when witchcraft and the supernatural were popular.

They are most often found in medieval buildings, such as houses and churches from around 1550 to 1750.

Several markings are carved near the cellar in the house where William Shakespeare was born in Stratford-upon-Avon, for example.

There are others in the Tower of London, Tithe Barn in Bradford-on-Avon and the caves of Witches’ Chimney in Somerset.

The patterns range from the common daisy wheel, which looks like a flower with a compass, to pentangles and Solomon’s knots.

They can all be recorded on Historic England’s website.

Duncan Wilson, chief executive of Historic England, said: “Witches’ marks are a physical reminder of how our ancestors saw the world.

“They really fire the imagination and can teach us about previously held beliefs and common rituals.

“Ritual marks were cut, scratched or carved into our ancestors’ homes and churches in the hope of making the world a safer, less hostile place.

“They were such a common part of everyday life that they were unremarkable and because they are easy to overlook, the recorded evidence we hold about where they appear and what form they take is thin.

“We now need the public’s help to create a fuller record of them and better understand them.”

SO when I first read this article I completely misunderstood it, I thought the markings that they where asking to categorize were left by witches to bless a place but actually these marks where made to keep witches and evil spirits at away. Not even joking it took me a week to notice that (my bad) so after that realization I had to scrap any ideas I had for the story we needed to write and here I am, falling behind once again.
Okay so lets ‘deconstruct’ this article :

  • THEME : Apotropaic magic/magic
  • CHARACTERS : The people who left the marks, Who the marks are meant to keep away (witches) & the people categorizing the marks
  • SETTING : England (1550 to 1750 and 2016)
  • PLOT : How our ancestors saw the world (??)

I have some ideas floating around my head for a new narrative but personally before I write something I’d like to do some more research into the subject of witches, witches marks and witch trials as they are essential to understanding the mindset of the time in which belief in the supernatural was part of everyday life.

Want to look more into these “witches’ marks” so when researching I noted that “witches’ marks” can refer to either marks people etched into various parts of their homes or other important locations like churches to keep evil and witches away OR it can refer to a mark found on the body that would mean said person was a witch,
[A person accused of witchcraft was brought to trial and carefully scrutinized. The entire body was suspect as a canvas for a mark, an indicator of a pact with Satan. Witches’ marks were commonly believed to include moles, scars, birthmarks, skin tags, supernumerary nipples, natural blemishes and insensitive patches of skin] [Authorities in the witch trials routinely stripped an accused witch of clothing and shaved all body hair so that no potential mark could be hidden. Pins were driven into scars, calluses and thickened areas of skin: the practice of “pricking a witch”. Customarily, this routine was performed in front of a large crowd.  If after stripping and shaving, the accused witch was found to have no likely blemishes, pins were simply driven into her body until an insensitive area was found.]
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The witches’ mark found on the body was sometimes refered to as “witches’ teat” as it was believed that it would feed the witches’ imps or familiars; the witch’s familiar supposedly aided the witch in her magic in exchange for nourishment (blood) from sacrificial animals or from the witch’s teat. It is also where the devil supposedly suckles when he comes at night to bed his faithful servants..

I’m currently reading The Penguin Book of Witches
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“From a manual for witch hunters written by King James himself in 1597, to court documents from the Salem witch trials of 1692, to newspaper coverage of a woman stoned to death on the streets of Philadelphia while the Continental Congress met, The Penguin Book of Witches is a treasury of historical accounts of accused witches that sheds light on the reality behind the legends. Bringing to life stories like that of Eunice Cole, tried for attacking a teenage girl with a rock and buried with a stake through her heart; Jane Jacobs, a Bostonian so often accused of witchcraft that she took her tormentors to court on charges of slander; and Increase Mather, an exorcism-performing minister famed for his knowledge of witches, this volume provides a unique tour through the darkest history of English and North American witchcraft.” (Back cover description)

Going to keep note of some of the interesting things I read here (ongoing updates as I continue reading) :

  • “Witchcraft is less a set of defined practices than a representation of the oppositional, as the intentional thwarting of the machinery of power”
  • “Witches served as both literal and figurative scapegoats for frontier communities under profound economic, religious, and political pressure.”
  • “The figure of the witch, the idea of the witch and the need to flush her out of her hiding place and into the light served as a binding agent among fragile communities”
  • For common people, belief in witchcraft explained away quotidian unfairness and misfortune.”
  • “The first witchcraft act in England was passed in 1542, and the last antiwitchcraft statute was not officially repealed until 1736”
  • “Another contributing factor to suspicions of witchcraft in the early modern period was the inexplicable sudden onset of ailments in both persons and cattle”
  • “Deaths were easier to bear if they could be blamed on someone else.”
  • “He [Reginald Scot] looked at the sort of woman typically accused of witchcraft and recognized them for what they were: often poor or mentally ill, uneducated, objects of fear and disgust within their communities, and unable to defend themselves.
  • “certain old women here on earth, called witches, must needs be the contrivers of all men’s calamities, and as though they themselves were innocents, and had deserved no such punishments” [Reginald Scot]

Also watched this documentary to refresh my memory on the Salem Witch Trials. I have actually been to Salem before and visited the museums there but that was 2 or 3 years ago.
(I chose to research more on Salem as it is a setting I am more familiar with than the UK. I lived in the US for 4 years and have been back often to visit family, many of whom live near Salem)


It was interesting as it laid out the events that led up to the massive witch hunt that exploded in Salem, explaining how society in the colonies was at the times and how the puritan religion followed at the time caused a lot of pressure to build up in the people of Salem. The treatment of women was also touched upon as puritanism was very misogynistic, women where supposed to be submissive and quiet, they also believed that women were more easily lured to the devil as they were believed to have a stronger sexual appetite and were always trying to gain some hidden knowledge (like Eve in the garden of eden). So when women did not fit into the image of ‘the puritan woman’ is was badly looked upon and they were assumed to be witches. One of the first women brought to a court specifically put together to process all of the accused, was called Bridget Bishop, she was a property owner, married several times, prominent business woman and independent thinker. She was immediately found guilty and hanged. Other woman that had been accused were women of lower status and disliked by the community. Basically anyone who didn’t fit in was likely to be accused. The trials in Salem got increasingly out of hand, accusations escalated incredibly fast to the point where a 4 year old child was also accused and sent to prison. More than 200 people were accused of practicing witchcraft with 20 being executed.

I was interested in looking into why mostly women were accused of witchcraft and found an interesting piece called The Vulnerability of Women to Witchcraft Accusations by Christian Day, 1992. Here are some parts of the text that were very interesting:

“In the earliest European societies, dating back prior to four thousand B.C.E., people were grouped into tribes. Life was organized around survival. A male’s ability to hunt was integral to the societal system, but far more important was the power of women to give birth, thereby sustaining the continuity of the tribe. Women were also the healers of these early European societies. It was primarily the women who tended to the physical, mental, and spiritual needs of their people. Often, women were the religious leaders of their tribes, guiding people through the different stages of their lives. The diverse abilities of women were thought to be sacred. These sacred female powers became personified into the figure of a goddess, a deity thought to be the mother of all life. It has been established by scholars that a goddess was probably Europe’s primary deity until as recently as three thousand B.C.E. (Eisler 1-7).

With the beginnings of the warrior classes that arose circa four thousand B.C.E. in Europe and the Middle East, a new ethic regarding women began to take shape. The diverse roles of women became limited to a few. The family line was converted, region by region, from a matrilineal to a patrilineal one. This was done because it made sense to the establishment of the time that the wealth amassed by male warriors should be passed on to future warriors: their sons. To keep pure a patriarchal blood line, women had to be controlled by their husbands in order to prevent extramarital sex, thereby inventing the concept of sexual monogamy. A wife’s infidelity would threaten the legitimacy of a son’s paternity, now so important to a society increasingly focused on war, wealth, and inheritance (Stone 161).

Myths were written and rewritten to explain women’s basic nature as inherently evil. In the Western civilization this is most explicit in the story of Adam and Eve. Layered over far older Middle Eastern legends, in which Eve appears before Adam, the newer myth portrays Eve as born from Adam’s rib; consequently, she is subject to him. Even more sexist is the idea that because of Eve’s surrender to the temptation of the serpent, she is somehow responsible for all evil in the world; that “The pangs of childbirth and the subjection of women to man are among the penalties for. . .[her] crime” (Cavendish 3057). According to one witch hunter’s guidebook, “. . . the [biblical] scriptures have much that is evil to say about women, and this is because of the first temptress; Eve, and her imitators” (qtd. In Williams 41). The serpent was certainly a powerful symbol in stories about the fall, and in some of the paintings of this event, including Michelangelo’s within the Sistine Chapel, the face of the serpent is female (Cavendish 3057).”
“Female leaders in religion became increasingly rare in the centuries leading up to the witch persecutions. They were labeled various terms ranging from “poisoner” and “hag” to “sorceress” and “witch.” These women continued to represent feminine authority. They were the sibyls of Greece, the Witches and Druidesses of Celtic Ireland and Britain, women who were now separated from society, but still sought out as well as feared. To the male dominated establishment, these women were now a threat. In a society where God is male, women become devalued.

Witchcraft was (and is) the survival of fragmented pagan belief systems mainly collected from the folklore of Celtic Britain and Ireland. Among the groups labeled witches, most practitioners were women, and women were the primary leaders. European Archeologist Marija Gimbutas notes that the women called witches “were greatly feared since they continued to represent the power of a formidable Goddess on Earth” (20). When the Catholic hierarchy absorbed Britain and Ireland, it encountered the Celtic people, whose religion and way of life was still contrary to the ideal that women should be obedient to men. The church henceforth set out to eliminate these belief systems, as they had tried to do to the continental pagan religions who were also matrifocal in origin, and they accused these other religious groups of devil worship. Carol Christ, theologian and professor of religion at Harvard Divinity School, states that “after the forced closing of their temples and the suppression of their priesthoods and priestesshoods, European pagan traditions survived only in folk customs and in secret societies and were communicated orally”(43). Not only did these remnants of goddess worship create, for the Church, the threat of rival religions, but also the threat to their ideal that men should conquer and dominate women. Christ notes that “it is not difficult to see why she [the suspected witch] was persecuted by an insecure and misogynist church that could not tolerate rival power, especially the power of women”(46).

The word pagan comes from the Latin ‘paganus,’ meaning ‘country dweller.’ In the rural areas of Europe, folk religion survived, and women were still the primary vessels for this folk knowledge. It was in these rural areas that the strength of the Church had to be concentrated. The inquisition, a Catholic group that was set up to enforce the laws of the church, realized that the witch persecutions would provide an effective mechanism for ridding Europe of rival religious powers, as well as force women into total submission to the male establishment. Christ notes that: “often portrayed as resulting from peasant hysteria, the witch persecutions were in fact instigated by an educated elite who saw themselves as defenders of canonical tradition” (44).

The most harmful work of propaganda ever directed at women was the Malleus Malificarum, or Witches’ Hammer. This book set a standard of misogyny so great that Western civilization is still influenced by its hateful ideas. Written by Dominicans Jacob Sprenger and Heinrich Kraemer and released in 1486 (with an official endorsement from Pope Innocent VIII), The ‘Malleus’ organized the many techniques used by the witch hunters into handbook form. The handbook was then widely distributed and relied upon by a great majority of the witch hunters. Historian Selma Williams examined the “Malleus” for its sexist content and found statements such as: “A greater number of witches is found in the fragile feminine sex than among men” (qtd. in Williams 38); “There are more women than men found infected with the heresy of witchcraft . . . blessed be the highest who has preserved the male sex from so great a crime” (qtd. in Williams 38); “A woman is by her nature more quicker to waver in her faith and consequently quicker to abjure the faith, which is the root of witchcraft” (qtd. in Williams 39).

As time progressed, any women who held leadership roles in religion were persecuted, and the settlers of early New England continued this process. These colonial settlers carried over much of Europe’s witch lore, instilling it into the emerging Puritan culture. Though certainly horrible, the Puritan witch persecutions were less brutal than those of Europe. However, it is apparent that the persecution of female religious leaders was high on the witch hunters’ agendas (Karlson 160).”

“It was not the economic class of women that mattered to the witch hunters; it was their economic independence. Contrary to popular belief, it was not always women in poverty who were accused of witchcraft; many wealthy women were also accused, but they usually had some measure of independence. Women in medieval Europe were not thought to be able to handle their own affairs. The Malleus Malificarum states that “Women are intellectually like children” (qtd. in Williams 39). Karlson surmises that “Like midwives, healers, and female religious leaders, women who turned their traditional skills to profit placed themselves in competition with men – and in positions of vulnerability to witchcraft accusations” (Williams 146).”

“The sexuality of women was probably the most significant issue involved during the witch persecutions. During those times, in an era when sex was viewed as sinful, women could not hide their obviously sexual natures: they became pregnant; they gave birth; they menstruated. Negative attitudes about sex were translated into negative attitudes about women, and reflected themselves strongly in witch trial procedures. The idea of female temptresses has been found in many of the world’s myths, especially those within Judeo-Christian beliefs. In Hebrew mythology, there is Eve, whose sexuality, some scholars argue, was the actual “forbidden fruit” offered to Adam. In the Christian religion, we are often reminded of the temptation of sex; however, in the times of the Witch Persecutions, the church often mentioned sexual temptation as being inherent in women, therefore making her an obstacle on the path from man to God (Cavendish 3057).

In Medieval Europe, the Church of Rome tried incessantly to suppress sexual desire among the people; they even instituted a celibate male priesthood. During these times, Mary Condren tells us, “Women, who formerly had been revered, now became sources of temptation”(153). Also, while the emerging male priesthood continued to aspire to the high heaven of their male god, “Women became signs of the depths to which holy men could fall” (153). The Malleus Malificarum was very specific in its references to women’s sexuality as an evil force. A woman was said to be impure “during her monthly periods”(qtd. in Williams 39). Kraemer and Sprenger believed that “All witchcraft comes from carnal lust, which is in women insatiable”(qtd. in Williams 39). Perhaps the worst fear associated with female witches was that, according to the Malleus Malificarum, “[some] men are made impotent by Witchcraft” (qtd. in Williams 43).”

“Ultimately, the issue of female sexuality was one of control. Women could have sex but only if it was according to the strict rules of both her husband and the male establishment in general. Women could give birth, but only to establish the continuity of a husband’s name (female children were often unwanted). Women could menstruate, but only in secret, where no one could witness the supposedly abominable act.”

FEMINIST AVANT-GARDE OF THE 1970S

Went to go see an exhibition on Feminist Avant-garde of the 1970s at The Photographers Gallery I found it quite interesting and inspiring,
These are some of the works I liked the most:

I decided to do more research into Cindy Sherman’s work as it was suggested to me at the review as she did a whole series on recreating movie stills:

“Masquerading as a myriad of characters, Cindy Sherman (American, born 1954) invents personas and tableaus that examine the construction of identity, the nature of representation, and the artifice of photography. To create her images, she assumes the multiple roles of photographer, model, makeup artist, hairdresser, and stylist. Whether portraying a career girl, a blond bombshell, a fashion victim, a clown, or a society lady of a certain age, for over thirty-five years this relentlessly adventurous artist has created an eloquent and provocative body of work that resonates deeply in our visual culture.”